Tuesday, September 15, 2015

Buffalo Brothers and James Hood Guitar Repair

If you've read a lot of the stories on this blog, you may have heard me mention Buffalo Brothers Guitars in Carlsbad, California. Conveniently for me, it was located just down the road from my house. But it was an internationally known and respected guitar store. That's right..."was." Unfortunately, Buffalo Brothers just didn't survive through the economic downturn, though a valiant effort was made to keep the store alive by James Hood, who had been running the repair shop at Buffalo Brothers for many years.

James is not only a top notch repair guy, but an awesome person on top of that. Like many of the loyal customers over the years, James loved Buffalo Brothers and the world class level of instruments they stocked and sold over a few decades. I bought my first high-end guitar there, talked into a gorgeous handmade Ehlers guitar by their fine instruments salesperson Kevin Kinnear. Not long after, Kevin introduced me to Mike Franks, who was new to the world of high end guitars at the time, but is now an established and respected luthier, selling amazing guitars all over the world. I've now owned a few M.J. Franks guitars and couldn't possibly speak more highly of them.

James took over Buffalo Brothers for the last year of so and continued developing the loyal clientele that the shop was known for, all the while continuing his repair business in the back. When Buffalo Brothers finally took its last breath, James regrouped to the back once more and continued doing what he does best...repairing and revitalizing electric and acoustic instruments for the region's discriminating guitar owners. I've been to see James many times over the years and, if you are in the Southern California area, I can't recommend him highly enough. Although James still owns the Buffalo Brothers name, he's not quite sure what to do with it at the moment. It's a name that reaches far and wide into the guitar community. I wouldn't think it will go away forever. And as they say, nothing dies completely until the last person who knows about it is gone.

You can talk to James about your guitar via his website, jameshoodguitar.com and be sure to sign up for his newsletter while you are there.

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Thursday, June 11, 2015

Fender Excelsior Amplifier #2

A couple of years ago I got one of these Fender Pawn Shop series amps called the Excelsior and I loved it. In fact, I wrote a whole story about it, which you can read here. Ever since I sold the other one, I have wanted one again. And right after Christmas, I saw one on Craigslist and bought it. It was in perfect condition, never left the house, and it sounded just like I remembered. However, that's not the story here.

I'm posting about this because of the story when I sold it. A classic example of how you never know what you are getting into on Craigslist.

I am usually the first person to say that I have had really great experiences on Craigslist and I've had a small number of weird episodes that seemed like a scene from a movie. If you want to read a good one, click here about the Music Man 112RD I once bought. But on to the new story at hand...

I bought this amp out of weakness. It was a good price at $225, as I've seen these climbing back up to their original retail price of $300 and more lately. But you can still find them for a deal. I bought this one, played it a few times to enjoy that amazing tremolo sound that I love, and then it was just sitting there.

My sister called from Boulder, CO and said that she had just bought VIP tickets to see Ryan Adams at Red Rocks Amphitheater and, if I wanted to go, get a plane ticket and get to Boulder. 

I live in San Diego, so round trip tickets on Southwest can be pretty reasonable. As luck would have it, they were right around $225, the same amount I had recently spent on my Excelsior amp. So I bought the plane tickets and promptly put the amp back up for sale on Craigslist, fully confident that I could even make a few bucks profit.

I listed the amp at $260 and didn't get any bites. Turns out, in a stroke of bad luck, there were 2 other Excelsiors on Craigslist at the same time. WTF? So, I dropped my price down to $225 and got an email from a guy named Ace. He "really, really, really wanted the amp" and wanted to meet a couple of days later on a Saturday morning. He was knowledgeable about the amp and you could tell he wasn't a scammer. We set it all up and then, the night before we were to meet, he emailed and claimed he had an emergency and was going to be gone for a few days and would still be happy to buy it when he got back, if it was still available. With no other inquiries, I decided to hang on to it for Ace until he got back. Then nothing. After a few additional emails, it became obvious Ace needed to be discarded (get it?) and I relisted the amp. A two week waste of time.

Got an email from a new guy. Wanted to know how soon we could meet up and he could buy the amp. I write back and give him options and details. No response. Two days later he writes again, I write back to set something up, no response. Get a new email from a guy who gives me his phone number and wants to talk about the amp. I call and he asks some questions, is satisfied that the amp is good, and then says, "So I'm really calling on behalf of my friend John who wants the amp, but he keeps emailing you and you don't answer him back." Actually, I tell him, I have answered John back twice and John doesn't get back to me. "OH!," he says, "John doesn't have email! You have to call or text him." Interesting, since John emailed me about the listing and never game me his number.

Through all of this nonsense, the guy sounds very sincere and John really wants the amp. So, at his insistence, I try to text John. No answer. Wait a day and try again. No response. After another two days, I try one last time: "Hey John, I have emailed you twice, I have texted you twice, and you never respond. Your buddy swears you want this amp, but I'm tired of trying. Last chance...if you want the amp call me." Phone rings immediately. John wants the amp. Can you bring it by my house to try out? Yes, I am headed that way later this evening and I can bring it by. This is a long story, huh?

John tells me his house is very near mine, but it turns out his skills in estimating distance are not good. His house is many miles further than his estimate. I would soon figure why. I get to his neighborhood and it's SKETCHY. One of the worst neighborhoods in the area. I finally find his address and go knock on the door. John opens the door and about 4000 cubic feet of weed smoke comes billowing out of the door. "C'mon in!" As a sufferer of severe asthma, this is the opposite of fun. I walk in and we head to his bedroom where he has maybe seven other guitar amps set up, about 12 guitars hanging on the wall, a huge display of stomp boxes hooked together on the floor and a girl sitting on his bed...or should I say mattress on the floor with a dirty sheet on it...with her boobs literally pouring out of her corset-like shirt. Probably no less than eight bongs sitting around the room in all shapes and sizes. Jars and jars of weed lined up next to the bed...I mean mattress. She looks up at me and says, "Heeeeeeeeeeeeeeeey." Then never spoke again.

John plugs the amp in and gives it a test. He plays extremely well, I might add. I was surprised. He played it with his Ibanez. He played it with his Strat. He plugged this pedal in, then that pedal in. I thought he was going to try out every item he owned through my amp. Finally I couldn't handle the smoke any more. "So...do you want the amp?" "Heck yeah! Here you go!" He hands me $225 in small, unmarked bills. I stuff them into my pocket without even counting them, nod good-bye to stoner renaissance chick, and stumble out the door. I get in my car and head down the road, quickly realizing that I wreak so much, I'm going to have to do laundry when I get home. I hop on the freeway and roll down all the windows to blast some air through the vehicle. I was wondering if any right-minded police officer would buy my true story about why I smelled like a Phish concert in the event I got pulled over.

It took all that to sell an amp that I would have preferred to keep, but sometimes you gotta do what you gotta do if you want to see Ryan Adams at Red Rocks. There aren't many things that take priority over my guitars, but this was one of them and I couldn't miss it.


Friday, June 13, 2014

Xaviere Sonic Blue Thinline Telecaster Customized

Here's a great guitar for cheap, cheap that I just sold to a friend of mine. I go through stages as I'm getting a little bit older where I think I don't need electric gear any more. I still play an occasional acoustic gig now and then, but my needs for an electric guitar only pop up now and then. So, whenever they do, I get all excited and I go on Craigslist and I buy an amp and a guitar and I find a pedal or two that are my go-to pedals, and I rehearse a couple of times and play the gig. Then I don't have anything else scheduled and I sit on my gear until I talk myself out of needing it again. Then a year goes by and I go through it all again. That's pretty much how I came to own this guitar in the first place, and it explains why I just sold it.

I was in need of an electric and I'd read a whole lot about the Xaviere brand guitars at the GuitarFetish.com website. Everything I read about these guitars was positive and the reviews at Premiere Guitar were excellent. They are not expensive guitars, and when you look at things like hardware and material choices, they aren't up to par with guitars that are five times more expensive. But that's kind of the point, right? I had noticed a long time ago that they had a sonic blue thinline telecaster-style guitar that was really cool. I wanted one. But they always seemed to be sold out. I guess I wasn't the only one. So I kept an eye out on eBay. The opportunity to play a full electric band gig came up and I thought maybe this would be a good way to obtain a Tele and still keep within a really tight budget. Then one day I found this guitar on eBay. Now it didn't look like the photos I'm posting...I did a lot of fixing up to get there...but I didn't spend a lot to do it.

When I found it on eBay, it was in rough condition. The neck and body were fine, so that's a good start. The neck pick-up was completely gone. The bridge pick-up had been replaced with a GFS Retrotron Surf 90 pick-up, also from the GuitarFetish website. These look like Rickenbacker pick-ups and they sound great. And, staying with the theme of this story, they aren't expensive. So, it had a good bridge pick-up, the controls were all loosey-goosey, and the back panel was barely hanging on. There were wires sticking out where the neck pick-up used to be and there was no pick guard. BUT...it was sonic blue, it was a thinline tele style guitar, the neck had a cool vintage amber tint to it, and I only saw possibilities. Oh, and there was a weird little sticker on the body of the guitar right under the controls. I bid about $50 I think and won the auction. Then it showed up.

The previous owner failed to mention that, under the little sticker on the body was a hole. Not a little screw hole, but a hole the size of maybe another toggle switch or knob or something. Miraculously, I had a sticker at home that was exactly the color of the guitar body. I carefully cut out a little circle slightly larger than the hole and covered it up. Next I tightened everything up and taped off the extra wires and tucked them back in the body cavity. I ordered a custom pick guard from Warmoth in a cool tortoise shell design. It only took a week to show up at my door and I started to put it on the guitar. I quickly realized that, since this wasn't an actual Fender guitar, the pick guard didn't fit exactly perfectly with the Xaviere layout. At this point, I wasn't too worried about perfection and I got out a file and did a little custom work of my own. Screwed it on and it looked good from about five feet away. In fact, this whole guitar looks awesome from about five feet away. Once you start analyzing it, the back control panel is held on with duct tape, the tone knob is still a little wobbly, the hole is covered with a sticker...etc. But guess what? This guitar plays and sounds awesome.

It's basically set up like a Fender Esquire...a Tele shaped body with one pickup in the bridge position. It's got that Surf 90 pickup and is twangier than Pete Anderson at a Dwight Yoakam concert. It's twangtastic. Yes, I could go on and on. But you get the point...it sounded great. And I have to say, the Xaviere neck is fantastic. It felt like a nice vintage instrument...and I'm not being paid by anyone to say that in case you're wondering. This is not an ad disguised as a story on a blog. None of my stories are. This is just an excellent guitar for the crazy price. All told I probably had a little over $100 in the guitar. $50 for the guitar plus another $25 for shipping. I think the pick guard was close to $40 shipped. And the sticker was free. I guarantee it was the best hundred dollar guitar I've ever played.

Well, so now some time has passed. I have another Fender Telecaster in my closet, and the Xaviere became expendable since I have no electric gigs and I need some cash money for an upcoming vacation. But how do you sell a guitar like this with such a weird story, but such great results? I posted a photo on Instagram (@jaimiemuehlhausen) and a friend fell in love with it. I told him it was his for a flat $100 and the deal was done. I'm happy it went to someone who will appreciate it give it a good home.

Saturday, April 5, 2014

Old Kraftsman Arch Top Guitar

I just found these photos of this vintage Old Kraftsman arch top acoustic that I bought a year or so ago and thought I would go ahead and post it, even though there isn't too much of a story to go with it. I found this guitar in a thrift store in Escondido, CA, where I have been lucky enough to find more than one guitar over the years. In fact, it's exactly where I found a dirty, busted up old Yamaha acoustic that has turned out to be one of the best sounding guitars I have owned. You can read about it here. Usually this thrift store puts any guitar they have for sale back behind the counter, including Toys'R'Us quality instruments, thinking they are all valuable, and usually priced that way as well. But this one was pretty beat up and had some cracks and belt buckle scrapeage that would make any country musician worth his salt pretty proud. It was sitting out amongst the general population at the thrift store, mixed in with old used barbecues, vintage skis, weird appliances and some used, but still viable, tiki torches.

This Old Kraftsman arch top acoustic was never outfitted with a pickup. Strictly acoustic. And even though it was beat to within an inch of it's life, I knew I needed to rescue it from the possibility of ending up as a spray painted prop in a high school production of Bye Bye Birdie or as a wall hanger in an all-you-can-eat beef ribs restaurant. God forbid.

I'm oddly attracted to Old Kraftsman instruments, maybe because of this bass that I have featured on here in the past. Old Kraftsman was the house brand for the Spiegel Catalog company, and were made by the Kay Musical Instrument Co., who also made exactly the same guitars with other brand names on them like Airline, TrueTone, Penncrest, Silvertone, Kay and others. If you can find an Old Kraftsman model of a guitar, you can definitely find it's doppelganger with a Kay logo on it. The only thing I haven't seen a Kay clone of is an Old Kraftsman resonator guitar that was made by National, and are really rare and hard to find. I'm hoping to come across one of those in a thrift store someday, and you can bet it won't end up here on this website.

This particular guitar looked like it had been spray painted black on the front, possibly to hide the long cracks that ran all the way up to the f-holes. It was barely hanging on. It wasn't worth paying a luthier a ton of dough to repair, but I couldn't just let it fall apart either. The tuner peg buttons were missing, the bridge was missing, the tail piece was hanging on by a thread, the back was beat, and the fretboard was as dry as a London newspaper. (That's dry). Still, I figured I could mess around with it and see if I could get it to play. First thing I did, after some internet research for a cheap way to fix the cracks, was super glue them back together. Yes, not the way they do it at Stew-Mac, but you know what? Super glue is amazing! Not only did it hold this 75-year old guitar together, it stuck my fingers together for a short time too. Bonus.

Speaking of Stew-Mac, I ordered some vintage-style tuner buttons from them for a very inexpensive price, and I found a new but correct bridge on the Ebay for about $20. I put some very light strings on it to keep the arch top from cracking again, and, sure enough, it all held together. I won't say it sounded great, but it stayed relatively in tune and didn't sound too bad. I mean, I'm no fan of extra light strings on any acoustic, let alone a very old arch top from the Spiegel Catalog. So, when I say it sounded alright, I mean it was better than no guitar at all. And, it looked very cool.

I put it on Craigslist for cheap...maybe started it off at $150. I figured whatever I could get out of it would be fine, and at least someone who was interested in it would have it instead of ending up leaving the thrift store with some lady who's 4-year old would end up sitting on it while everyone laughs and laughs. Sure enough, I got an email from a guy who offered $75 and I said, "Come get it." I usually try to make some bucks on guitars that I flip on Craigslist, but sometimes you just need to rescue them from a horrible fate and pass them on to a life of love and usefulness.

I did actually make a few dollars after all was said and done, but not enough to justify my time and effort if you want to count those things. " Time is money!" Well, sometimes it's not. It's just time well spent.

Saturday, March 29, 2014

Fender Excelsior Pawn Shop Amp

A few years ago I got lucky enough to score a pass to the NAMM tradeshow. If you aren't familiar, it's the musical instrument show at which buyers from all over the country come to see the latest gear from Fender and Gibson and PRS and all the other companies that manufacture guitars and amps and drums and keyboards and marching band instruments and harps and sheet music and metronomes and whatever else you can think of at the local music store. Whew. These passes are not easy to get, but I designed a series of custom guitars for Taylor and they were kind enough to hook me up with a pass. Yes, I just bragged on myself there about the Taylor thing. Sorry.

One of the things that caught my attention was this amp over in the corner of the vast Fender tradeshow sales room. It didn't even have a Fender logo on it. It said Excelsior. And it looked like something you used to see in pawn shops, back when you could find cool, obscure stuff in pawn shops. Or, to put it another way, before the internet. This amp is, in fact, called The Pawn Shop Series and it's a Fender, but just made to look weird...or...awesome...depending on who you are. I loved it. It had one giant 15" speaker, just like Stevie Ray used to use, one knob for on/off and volume, and one knob for tremolo. I LOVE TREMOLO! They made this amp just for me it seems. It also had a bright switch and three inputs. Yep, THREE inputs. That's more inputs than knobs. I love this amp! One input for guitar, one for mic and one for accordion. How cool is that?

I didn't get to hear it at the tradeshow, but I knew I was going to love it. And I was right. I went home after the NAMM show was over and Fender had posted some videos on their website of this new Pawn Shop Series. They were well-produced videos, made to look like some slick blues dude was running a pawn shop and tricking customers into thinking this amp was an oldie that perfectly fit their needs for guitar, harmonica, accordion and whatever else. The videos were a little cheesy, but they sounded great and I had to have one of these pawn shop amps. But where could I get one? Aaaahh. They weren't going to be out for awhile. Shit. I asked anyone I knew who might know something when they would be out. Heck, I even asked a guy at Guitar Center, and they never know anything about this stuff. "Soon!" they would say. Soon.

A few months went by and my nephew was in town. I live in San Diego and he wanted to go up to L.A. for the weekend to check it all out. We drove the 4-hour, 97 mile drive up to Hollywood and I started showing him around. At some point we drove past the giant Hollywood Guitar Center, where there's actually a chance you might see a semi-famous musician in-store. Plus they do have a downstairs vintage room that is astounding. It's worth the trip if you are a guitar geek. We parked the car and headed in. Nephew was busy checking out the latest electronic beats software and musical laptop gear, so I wandered over to see some actual instruments. Guitars. Amps. And holy moly, there it was...an Excelsior Pawn Shop amp. I asked if I could play through it and the salesman smiled knowingly as he plugged a Telecaster in without even asking what kind of guitar I preferred. I was right...I was going to need this amp. I wasn't even remotely planning to spend any significant money that day, but there I was, handing over my debit card and calculating how much gas we'd need to get back to San Diego. The salesman told me that this was only the second Excelsior to hit the shelves in all of California and that they'd just gotten it in earlier that day. Of course that made me want it even more. I loaded it in the back seat and we headed on down the road.

I have owned a 1963 Fender Tremolux amp, and it's well documented here on this website that I am in love with Swamp Thang tremolo pedals. Those are my standard bearers for tremolo. I got this home and plugged my own guitar in and...boom, awesome sound. They aren't super powerful...you're not going to hold your own against a Marshall stack with this amp, but it had plenty of power for my modest needs. Great tremolo sound which I just kept on most of the time I owned this amp. I loved the big ol' 15" speaker and I loved the retro looks. Kind of a secret weapon. Some people would never be happy with an amp with very few controls, but this is right up my alley. Turn it on, set it and forget it. I love it.

"But why don't you still own it?" you might ask. And you'd be right to ask after such a glowing report. Well, I had to go to NYC for a trip that was short notice and to be honest, I just needed a little extra cash in my pocket for the trip. NYC is not a cheap place. So I sold it reluctantly. Some time has passed and now I see them show up on Craigslist every so often. And Jeez...they are cheap. I saw one for $175 the other day and it took every ounce of restraint not the contact the guy and go pick it up. If you are contemplating one of these amps, and you love that cool Fender vibe and some sweet tremolo, don't even think twice. Pick one up. Not loud enough...get two. That's still cheaper than most everything else out there these days. I see that Fender has a new Pawn Shop amp or two out this year. But they just don't have that same appeal to me as this Excelsior did from the moment I spied it. I'm gonna need another one at some point.

Tuesday, March 18, 2014

Fender Nashville Telecaster 2008 Honey Blonde

It's just me, but even though I'm a dyed-in-the-wool Telecaster guy, I just can't seem to fall in love with these Nashville Teles. They're really nice and, some would argue, more versatile due to the extra Strat pick-up in the middle. But to me, a Tele has two pickups. End of story. Well, I guess not really the end of the story, or else Fender wouldn't be making them. But whenever I find a good deal on one and pick it up thinking maybe I'll keep it, it's not long before it's for sale on Craigslist or Ebay.

This one was manufactured in the Fender Mexico factory in 2008. I have come to the conclusion that, unless you just really have some personal reason, there is no reason not to buy a MIM Fender guitar. My friend O, who is better known as a founding member of legendary San Diego bands Olive Lawn, fluf, Reeve Oliver, The Make-Up Sex and now #Octagrape...and also known as the guitar tech for J. Mascis of Dinosaur Jr. ...and also known as a legendary skateboard photographer...and on and on, says this: "You can buy a Fender made by Mexicans down in Mexico, or you can buy one made by Mexicans in California. Either way, it's the same machines, the same specs and the same guitars." And he says that lovingly...he's the most die hard Fender guy I've ever known and was sponsored by Fender at one point.

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I found it in a pawn shop down in Chula Vista, CA, right down by the Mexican border. My son and I were killing a few minutes after his soccer game and I spotted a pawn shop. This always elicits a groan from my kids, until I explain that this is how we get to buy nice soccer shoes and dance lessons. We walked into the shop and there weren't any instruments to be seen. I started to turn around to leave, but the owner asked if he could help me. I explained that I was looking for guitars, and since he didn't seem to have any, I'd be on my way. He asked, "What kind of guitar are you looking for?" I said maybe Gibson or Fender or anything interesting. He brought out a cool old Gibson solidbody from the late '60s with some kind of weird sparkle finish. It was out of my price range. I asked if he had any Telecasters and he said, "Sure. I have one," and he brought out this Nashville model.

I unzipped the grungy crusty gig bag it was in with low hopes. But low and behold, once I took out the guitar, it was pretty nice! It had a couple of dings and one of the knobs was loose, but those are just bargaining chips. The strings were old and useless and you could tell he just wanted to sell it. I asked how much and he said $300. I put it back in the bag and told him it was quite a bit more than I wanted to spend today. Heck, I wasn't even looking to buy a guitar...we were just killing time after the soccer game. He asked how much I would spend and I blurted out "$200 cash out the door." I wasn't expecting him to accept but he said, "SOLD!" Oh. Okay. I guess I better look this thing over again real quick. I barely gave it the once over. Everything looked solid, so I ran across the street to the Mexican grocery store (lots of Mexico references in this story), and used their rickety ATM machine with the $3.50 surcharge.

I got the guitar home, cleaned it all up, tightened some screws, put new strings on it, plugged it in and...boom...nice guitar! Like I mentioned at the beginning, I get these Nashville model Teles and it doesn't take long to list them and sell them. I briefly tried to talk myself into keeping this one. It's nice. The honey blonde finish is gorgeous and the tortoise pickguard looks great with the honey blonde. The Fender Tex-Mex Strat pickup in the middle sounds good mixed with the two Tex-Mex Tele pickups. It has a nice maple neck and an alder body. And as much as I like tradition, the six-saddle bridge does work better than those three barrels. You know what I'm saying.

I listed it on Craigslist and it wasn't long before I flipped it for $300. Not a huge profit, but $100 buys some nice soccer shoes for a 10-year old. Nothing wrong with that.

Sigma Guitars by Martin & Co. DR1ST Acoustic

It seems like every major manufacturer has their second tier brand of guitars these days. Fender has Squier, Gibson has Epiphone, Ovation used to have Applause though I don't know if they still do. And yes, the folks at Martin had Sigma. Note that I said "had" Sigma. In one of those "uh oh somebody's gonna get fired" moments, someone at Martin forgot to renew the trademark on the Sigma brand, and sure enough, one of those crafty overseas companies jumped on it and now own the Sigma brand. But, up until the last few years, Martin used the Sigma brand name from 1970 until 2007. They were made in Japan from '70 until 1983, then moved to Korea. From what I understand, the company that now owns the Sigma brand has been making guitars since 2011, but they have nothing to do with Martin.

Okay, so now we've established a little history. If you want the whole Wikipedia version, click here. However, the Wikipedia version completely leaves out this late '90s time frame. Not sure why, but I have not been able to find out a ton of info other than digging deep in some forums. If you need more in-depth info, you'll need to get familiar with Google.

Now on to this guitar. This is the DR1ST model, made in Korea in about 1998. Could be '99. I have referenced the serial number on the Martin website and that's what I get. I think it's nice that Martin included the Sigmas in their regular serial number runs, rather than treat the brand like an outcast. I think it shows that they were proud enough of their overseas manufactured guitars to claim them as part of the family. There seems to be a lot more documentation on some of the other model numbers. The new company that makes Sigma now uses this model number in their current line-up, but don't be confused by that. This is definitely one of the older models and you can tell right off the bat by looking at the headstock. During this time period, they actually had "Sigma Guitars by Martin & Co." on the headstock. Not much confusion there.

The DR1ST was modeled after the Martin D-16 from what I could find. It's a nice standard dreadnought guitar with a solid top. I think. I've owned quite a few nicely made Asian factory Yamahas and Brunos and others that have been pretty tricky to figure out. I've been fooled a couple of times. So take a good close look if you have one and decide for yourself. I've even heard that, on some of the '70s Yamaha FG models, they would make some solid and some laminate. So, you have to look at the guitar...get a close look right on the edge of the soundhole. This guitar was really nice sounding and had a very clear, rich tone for a guitar in this price range. Those guys at Martin know how to spec out a guitar. I found this one at the Oceanside CA Swap Meet and picked it up for a mere $75. It had some old loose strings on it, so I couldn't get a good read on the neck. Didn't look warped or anything so I took a chance. I got home and got the swap meet layer of funk off of it easily...just a little dust and the smell of breakfast burritos. I put a set of brand new Martin SP Bronze medium strings on it, and...hmmmm. I little buzzing on a couple of frets.

I don't know about you, but I am just always hesitant to break out the allen wrench and start cranking on the truss rod. I've heard horror stories about snapped truss rods and popped necks and it makes me nervous. I made sure everything else was looking good...all polished and clean, and I listed it on Craigslist with a description of what nice condition the guitar was in, but it needed a set-up and a little tweaking due to the fret buzz. I guess that tends to scare people away and no one was biting on my original asking price of a very reasonable $235. I've seen these listed on eBay for a lot more, but they tend to sell for anywhere from $225 to $400. One was even more. But, Craigslist can be fickle and I wasn't getting any interest at all. I dropped the price to $200 and got an offer. A local guy who fixes guitars was looking for a little project to flip and offered $125. I decided that it would be best to get this guitar fixed up the right way and put it in the hands of someone who could really enjoy it. The guy showed up to buy it and explained that he actually used to work in the Taylor Guitars factory. This guitar was going to get a new life, and that's a good thing.

Overall I'd say that the vintage Sigma Guitars are pretty underrated, even though they have the Martin brand behind them. I do see them for sale from time to time on my local Craigslist and they are usually in the $225-275 range. I think if you are looking for an excellent guitar in an affordable price range, you can't go wrong with a vintage Sigma.