Epiphone Crestwood (early 70s)

I decided to write about this guitar tonight because my catch phrase, “man, I wish I had that one back,” especially applies to this guitar. So much so that I recently went looking for another one just like it and bought one for only $200 off Craig’s List. I have no idea whatsoever how I came to even know about Epiphone Crestwoods. They are not by any means a popular model, and besides, I have always been a Telecaster guy since day one. I’ve tried Strats, Rickenbackers, Les Paul Jrs., and even a silver sparkle Gretsch Duo Jet. But I have always come back to Teles. So, when I came across this guitar, it was that same old feeling of “maybe this one will be different.” And this one was.

I’m trying to remember why I ended up selling it. I’m sure it was probably to finance the purchase of something else that I just HAD to have at that exact moment. I think I got this one for a bargain on eBay because it had a little monkey business going on with some of the parts. The stop tailpiece was not original and it had a couple of extra screw holes here and there. But it looked to be set up reasonably well and, on this particular guitar, I could care less about the originality factor. I just wanted to give something else a try.

Oh, and something else caught my attention. Someone had scratched the name “Johnny Ruddy” into the back of the headstock...I’m assuming someone named Johnny Ruddy. Hey Johnny!

This guitar, made in the early 70s, played like a dream and sounded fantastic. I always say it’s somewhere between a Les Paul and a Telecaster, but I think that’s more visual than anything else. The body style reminds me of a Tele if Gibson were trying to make one, but it has two humbuckers and the stop tailpiece and bridge of a Gibson guitar. The neck was all Gibson. I guess they also made Crestwoods back in the 60s in the USA, and those are selling for a small fortune these days. Those have a more Fender-esque, six-on-a-side headstock, while the Japanese-made 70s models sport a much more recognizable 3-on-a-side headstock of a Les Paul or Epiphone acoustic. There are quite a few other Epiphones of this body style with different pick-ups and appointments and, because of a lack of common knowledge of these guitars, people have a hard time differentiating between the models. They show up on eBay as a Crestwood or a Wilshire or an Olympic or an ET-290 or ET-275. The Wilshire and Olympic and Coronet are all different guitars, though pretty similar visually. The guitar I just recently acquired to fix my Crestwood jones is actually an ET-275. It’s got a tremelo and roller bridge thing going on with the cover missing and the trem arm lost in space. For some reason they almost always do.

Anyway, this guitar sounded fantastic and, just like me, I bet somewhere Johnny Ruddy is saying, “Man, I wish I had that one back.”

UPDATE NOVEMBER 3, 2008: As you can see below in the comments, a reader reports that he just bought this exact guitar off eBay recently for $450! How cool that through this website a guitar has actually been tracked through to a new owner. Thanks for leaving the comment!

Sho-Bud Club Model Acoustic

One day I was surfing through eBay and I came across this Sho-Bud Club model. I knew about Sho-Bud pedal steel guitars, but I had no idea they made acoustics too. The thing that really got me was the Club, Heart, Diamond and Spade inlays down the neck of the guitar. This is the trademark of their pedal steels, but those are just silk screened on. The acoustics had actual inlays of the symbols on the fret markers. What happened next was hard to explain...I got obsessed with these guitars. There was very little about these acoustics on the internet. In fact, almost NOTHING. I ended up winning this guitar for $550, and it turned out to be a sweet guitar. All of the Sho-Bud acoustics are based on a Martin Dreadnought and were made in Japan in the 70’s. There was a Club Model, a Diamond Model, a Heart Model, a Spade Model and a Grand Slam Model...the Grand Slam being the fanciest of all. The Club is the basic model and each one gets fancier up the line. I got so obsessed, in fact, that I started a website about these guitars. Of course I wanted to gather info about these guitars, but I also wanted to appear to be the authority on them so that people who had them and wanted to sell them would come to me first. It worked for the most part. I ended up with a Diamond Model as well (see a future post about that one) which my good friend Dave now owns and loves. A Heart Model came up on eBay at one point as well, but I was outbid on that one at the last second and it kind of cured me of trying to collect all of the models. Anyway, these are GREAT guitars and extremely rare and hard to find. If you can get your hands on one I highly recommend it. I really liked this Club Model...I think it actually sounded better than the Diamond I owned even though it was a “lesser” model.